White Tea
Ancient Snow Buds
Hà Giang, Vietnam · About 1,000–2,000 m
White flower, cold mist, a clear sweet finish.
From₫890,000
- 50 g kraft pouch
- 100 g kraft pouch
- 200 g tin

Ancient Shan Tuyết tea
Shan Mộc returns to the original taste of Shan Tuyết — ancient tea trees grown among high mountains, cold mist, and time.
Hà Giang · The ferment of time
A line of record from Hà Giang: Chu Hạ, Nậm Siệu, Hoàng Su Phì — when the house has real photographs and files. This is a frame for the story, not a fully verified gazetteer.
Philosophy
We work with ancient Shan Tuyết trees in Vietnam’s northern highlands. Little intervention. The leaf kept honest. Mountain, mist and time speak first.


Origin
The trees live around 1,000–2,000 metres. Buds wear white down. Hmong, Dao and Tày hands pick them. This is not lowland plantation tea, and not a blend.
Collection
White Tea
Hà Giang, Vietnam · About 1,000–2,000 m
White flower, cold mist, a clear sweet finish.
From₫890,000
Green Tea
Hà Giang, Vietnam · 1,300–1,600 m
Bean, orchid, roasted sweetness.
From₫780,000
Black Tea
Hà Giang, Vietnam · 1,200–1,500 m
Forest honey, wet wood, longan.
From₫720,000
Shan Bancha
Yên Bái, Vietnam · 1,200–1,400 m
Straw, grain, unadorned warmth.
From₫280,000
Experimental & Fermented Tea
Hà Giang, Vietnam
Raw, lightly bitter, Shan leaf.
From₫550,000
Why Shan Mộc
Buds from ancient tea trees growing among the high peaks and cold mist of northern Vietnam.
Mountain, village, altitude, harvest and method are written on every tea’s page.
Handmade processing and hand-sorting; small lots kept apart by garden and picking day.
Orders confirmed within 24 hours · cash on delivery · free shipping from 500,000 ₫ · 7-day exchange for house faults.
From leaf to tea

01
Shan Tuyết lives around 1,000–2,000 metres, in cold mist for much of the year. Soil, wind, limestone and cloud shape the tea before any hand does.

02
Ancient Shan trees stand for many years on the mountain. Thick trunks, deep roots. Young buds wear a white down like frost — hence the name.

03
Hand-picked to each tea’s standard. White: a single bud. Green: one bud and two leaves. No machines, no stripping of branches.

04
Leaves are spread thin on bamboo trays and wither in mountain air. Water leaves slowly; aroma opens with it.

05
Fired, rolled, or left still — according to the tea. Shan Mộc intervenes only enough to keep the leaf honest.

06
Black teas oxidise fully. Yellow teas rest. White and green barely oxidise. Each lot is tasted while it is being made.

07
Slow drying to a stable moisture. Aroma is not scorched. Fire is a tool, not a flavour.

08
Stems lifted out, leaves sorted by hand. Small lots stay separate by garden and pick date.

09
Each lot is tasted across infusions — aroma, flavour, liquor, finish. What does not hold is not catalogued.

10
Moisture, sensory checks and packing, under a food safety system being built to ISO 22000:2018.
What we hold
Taste begins in soil, cloud and altitude. We do not correct the mountain with flavouring.
Little intervention. No flavouring, no colouring, no blending to make up weight.
Hand pick, fire, roll, dry — the maker tastes while working.
Old tea trees. A slow wither. Unhurried drying. Made with the mountain season, not forced for volume.
When the house has it, a lot notes the garden and the method. Ask — we answer from the records we hold.
Old trees, the people who keep them, and the drinker — none of them are props.
Partnership
For specialist tea shops, brands, distributors, hotels, restaurants and importers. OEM and private label when the standard is shared.

Journal

Vietnamese tea has a table, water, and people — that is enough. Shan Mộc drinks in the manner of its own mountain.

Old trees do not pack themselves. Hmong, Dao and Tày people pick, fire and keep the gardens. A brand is a later layer.

Enough leaf, the right heat, short infusions. No ceremony required. Attention is.